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For violin and cello
Titel nach Uploader: Adagio, Op.1 No.1
Instrumentierung |
Geige, Cello |
Partitur für |
Duo |
Art der Partitur |
Partitur für zwei Interpreten, Stimmen |
Tonart |
Ges-Dur |
Arrangeur |
Nick Lacanski |
Verleger |
theupperstaff |
Schwierigkeitsgrad |
Mittel |
Länge |
4'17 |
This is the first of four movements of this sonata. I have named this series of publications – "Just the Notes", simply because that’s all you get. No dynamics, bowings, phrasings, fingerings, etc. This simplifies your editing. There is not a need to erase from the original, or even worse, try to "write over" the original print. Also, to save you money movements are sold individually. No need to purchase a multi-movement work when your only desire is to perform only one. Thank you for looking.
For violin and viola
Titel nach Uploader: Adagio, Op.1 No.1
Instrumentierung |
Geige, Bratsche |
Partitur für |
Duo |
Art der Partitur |
Partitur für zwei Interpreten, Stimmen |
Tonart |
G-Dur |
Arrangeur |
Nick Lacanski |
Verleger |
theupperstaff |
Schwierigkeitsgrad |
Mittel |
Länge |
4'17 |
This is the first of four movements of this sonata. I have named this series of publications – "Just the Notes", simply because that’s all you get. No dynamics, bowings, phrasings, fingerings, etc. This simplifies your editing. There is not a need to erase from the original, or even worse, try to "write over" the original print. Also, to save you money movements are sold individually. No need to purchase a multi-movement work when your only desire is to perform only one. Thank you for looking.
For violin and double bass
Titel nach Uploader: Adagio, Op.1 No.1
Instrumentierung |
Geige, Kontrabass |
Partitur für |
Duo |
Art der Partitur |
Partitur für zwei Interpreten, Stimmen |
Tonart |
G-Dur |
Arrangeur |
Nick Lacanski |
Verleger |
theupperstaff |
Schwierigkeitsgrad |
Mittel |
Länge |
4'17 |
For flute and viola
Titel nach Uploader: Adagio, Op.1 No.1
Instrumentierung |
Flöte, Bratsche |
Partitur für |
Duo |
Art der Partitur |
Partitur für zwei Interpreten, Stimmen |
Tonart |
G-Dur |
Arrangeur |
Nick Lacanski |
Verleger |
theupperstaff |
Schwierigkeitsgrad |
Mittel |
Länge |
4'17 |
This is the first of four movements of this sonata. I have named this series of publications – "Just the Notes", simply because that’s all you get. No dynamics, bowings, phrasings, fingerings, etc. This simplifies your editing. There is not a need to erase from the original, or even worse, try to "write over" the original print. Also, to save you money movements are sold individually. No need to purchase a multi-movement work when your only desire is to perform only one. Thank you for looking.
For flute and cello
Titel nach Uploader: Adagio, Op.1 No.1
Instrumentierung |
Flöte, Cello |
Partitur für |
Duo |
Art der Partitur |
Partitur für zwei Interpreten, Stimmen |
Tonart |
G-Dur |
Arrangeur |
Nick Lacanski |
Verleger |
theupperstaff |
Schwierigkeitsgrad |
Mittel |
Länge |
4'17 |
This is the first of four movements of this sonata. I have named this series of publications – "Just the Notes", simply because that’s all you get. No dynamics, bowings, phrasings, fingerings, etc. This simplifies your editing. There is not a need to erase from the original, or even worse, try to "write over" the original print. Also, to save you money movements are sold individually. No need to purchase a multi-movement work when your only desire is to perform only one. Thank you for looking.
For flute and double bass
Titel nach Uploader: Adagio, Op.1 No.1
Instrumentierung |
Flöte, Kontrabass |
Partitur für |
Duo |
Art der Partitur |
Partitur für zwei Interpreten, Stimmen |
Tonart |
G-Dur |
Arrangeur |
Nick Lacanski |
Verleger |
theupperstaff |
Schwierigkeitsgrad |
Mittel |
Länge |
4'17 |
This is the first of four movements of this sonata. I have named this series of publications – "Just the Notes", simply because that’s all you get. No dynamics, bowings, phrasings, fingerings, etc. This simplifies your editing. There is not a need to erase from the original, or even worse, try to "write over" the original print. Also, to save you money movements are sold individually. No need to purchase a multi-movement work when your only desire is to perform only one. Thank you for looking.
For oboe and double bass
Titel nach Uploader: Adagio, Op.1 No.1
Instrumentierung |
Oboe, Kontrabass |
Partitur für |
Duo |
Art der Partitur |
Partitur für zwei Interpreten, Stimmen |
Arrangeur |
Nick Lacanski |
Verleger |
theupperstaff |
Schwierigkeitsgrad |
Mittel |
Länge |
4'17 |
This is the first of four movements of this sonata. I have named this series of publications – "Just the Notes", simply because that’s all you get. No dynamics, bowings, phrasings, fingerings, etc. This simplifies your editing. There is not a need to erase from the original, or even worse, try to "write over" the original print. Also, to save you money movements are sold individually. No need to purchase a multi-movement work when your only desire is to perform only one. Thank you for looking.
For oboe and cello
Titel nach Uploader: Adagio, Op.1 No.1
Instrumentierung |
Oboe, Cello |
Partitur für |
Duo |
Art der Partitur |
Partitur für zwei Interpreten, Stimmen |
Tonart |
G-Dur |
Arrangeur |
Nick Lacanski |
Verleger |
theupperstaff |
Schwierigkeitsgrad |
Mittel |
Länge |
4'17 |
This is the first of four movements of this sonata. I have named this series of publications – "Just the Notes", simply because that’s all you get. No dynamics, bowings, phrasings, fingerings, etc. This simplifies your editing. There is not a need to erase from the original, or even worse, try to "write over" the original print. Also, to save you money movements are sold individually. No need to purchase a multi-movement work when your only desire is to perform only one. Thank you for looking.
For oboe and viola
Titel nach Uploader: Adagio, Op.1 No.1
Instrumentierung |
Oboe, Bratsche |
Partitur für |
Duo |
Art der Partitur |
Partitur für zwei Interpreten, Stimmen |
Arrangeur |
Nick Lacanski |
Verleger |
theupperstaff |
Schwierigkeitsgrad |
Mittel |
Länge |
4'17 |
This is the first of four movements of this sonata. I have named this series of publications – "Just the Notes", simply because that’s all you get. No dynamics, bowings, phrasings, fingerings, etc. This simplifies your editing. There is not a need to erase from the original, or even worse, try to "write over" the original print. Also, to save you money movements are sold individually. No need to purchase a multi-movement work when your only desire is to perform only one. Thank you for looking.
For clarinet and viola
Titel nach Uploader: Adagio, Op.1 No.1
Instrumentierung |
Klarinette, Bratsche |
Partitur für |
Duo |
Art der Partitur |
Partitur für zwei Interpreten, Stimmen |
Tonart |
F-Dur |
Arrangeur |
Nick Lacanski |
Verleger |
theupperstaff |
Schwierigkeitsgrad |
Mittel |
Länge |
4'17 |
773620
For clarinet and cello
Titel nach Uploader: Adagio, Op.1 No.1
Instrumentierung |
Klarinette, Cello |
Partitur für |
Duo |
Art der Partitur |
Partitur für zwei Interpreten, Stimmen |
Tonart |
F-Dur |
Arrangeur |
Nick Lacanski |
Verleger |
theupperstaff |
Schwierigkeitsgrad |
Mittel |
Länge |
4'17 |
This is the first of four movements of this sonata. I have named this series of publications – "Just the Notes", simply because that’s all you get. No dynamics, bowings, phrasings, fingerings, etc. This simplifies your editing. There is not a need to erase from the original, or even worse, try to "write over" the original print. Also, to save you money movements are sold individually. No need to purchase a multi-movement work when your only desire is to perform only one. Thank you for looking.
For clarinet and double bass
Titel nach Uploader: Adagio, Op.1 No.1
Instrumentierung |
Klarinette, Kontrabass |
Partitur für |
Duo |
Art der Partitur |
Partitur für zwei Interpreten, Stimmen |
Tonart |
F-Dur |
Arrangeur |
Nick Lacanski |
Verleger |
theupperstaff |
Schwierigkeitsgrad |
Mittel |
Länge |
4'17 |
This is the first of four movements of this sonata. I have named this series of publications – "Just the Notes", simply because that’s all you get. No dynamics, bowings, phrasings, fingerings, etc. This simplifies your editing. There is not a need to erase from the original, or even worse, try to "write over" the original print. Also, to save you money movements are sold individually. No need to purchase a multi-movement work when your only desire is to perform only one. Thank you for looking.
For soprano saxophone and double bass
Titel nach Uploader: Adagio, Op.1 No.1
Instrumentierung |
Kontrabass, Sopransaxophone |
Partitur für |
Duo |
Art der Partitur |
Partitur für zwei Interpreten, Stimmen |
Tonart |
F-Dur |
Arrangeur |
Nick Lacanski |
Verleger |
theupperstaff |
Schwierigkeitsgrad |
Mittel |
Länge |
4'17 |
This is the first of four movements of this sonata. I have named this series of publications – "Just the Notes", simply because that’s all you get. No dynamics, bowings, phrasings, fingerings, etc. This simplifies your editing. There is not a need to erase from the original, or even worse, try to "write over" the original print. Also, to save you money movements are sold individually. No need to purchase a multi-movement work when your only desire is to perform only one. Thank you for looking.
For soprano saxophone and cello
Titel nach Uploader: Adagio, Op.1 No.1
Instrumentierung |
Cello, Sopransaxophone |
Partitur für |
Duo |
Art der Partitur |
Partitur für zwei Interpreten, Stimmen |
Tonart |
F-Dur |
Arrangeur |
Nick Lacanski |
Verleger |
theupperstaff |
Schwierigkeitsgrad |
Mittel |
Länge |
4'17 |
This is the first of four movements of this sonata. I have named this series of publications – "Just the Notes", simply because that’s all you get. No dynamics, bowings, phrasings, fingerings, etc. This simplifies your editing. There is not a need to erase from the original, or even worse, try to "write over" the original print. Also, to save you money movements are sold individually. No need to purchase a multi-movement work when your only desire is to perform only one. Thank you for looking.
For soprano saxophone and viola
Titel nach Uploader: Adagio, Op.1 No.1
Instrumentierung |
Bratsche, Sopransaxophone |
Partitur für |
Duo |
Art der Partitur |
Partitur für zwei Interpreten, Stimmen |
Tonart |
F-Dur |
Arrangeur |
Nick Lacanski |
Verleger |
theupperstaff |
Schwierigkeitsgrad |
Mittel |
Länge |
4'17 |
This is the first of four movements of this sonata. I have named this series of publications – "Just the Notes", simply because that’s all you get. No dynamics, bowings, phrasings, fingerings, etc. This simplifies your editing. There is not a need to erase from the original, or even worse, try to "write over" the original print. Also, to save you money movements are sold individually. No need to purchase a multi-movement work when your only desire is to perform only one. Thank you for looking.
For soprano saxophone and bassoon
Titel nach Uploader: Adagio, Op.1 No.1
Instrumentierung |
Fagott, Sopransaxophone |
Partitur für |
Duo |
Art der Partitur |
Partitur für zwei Interpreten, Stimmen |
Tonart |
F-Dur |
Arrangeur |
Nick Lacanski |
Verleger |
theupperstaff |
Schwierigkeitsgrad |
Mittel |
Länge |
4'17 |
This is the first of four movements of this sonata. I have named this series of publications – "Just the Notes", simply because that’s all you get. No dynamics, bowings, phrasings, fingerings, etc. This simplifies your editing. There is not a need to erase from the original, or even worse, try to "write over" the original print. Also, to save you money movements are sold individually. No need to purchase a multi-movement work when your only desire is to perform only one. Thank you for looking.
For clarinet and bassoon
Titel nach Uploader: Adagio, Op.1 No.1
Instrumentierung |
Klarinette, Fagott |
Partitur für |
Duo |
Art der Partitur |
Partitur für zwei Interpreten, Stimmen |
Tonart |
F-Dur |
Arrangeur |
Nick Lacanski |
Verleger |
theupperstaff |
Schwierigkeitsgrad |
Mittel |
Länge |
4'17 |
This is the first of four movements of this sonata. I have named this series of publications – "Just the Notes", simply because that’s all you get. No dynamics, bowings, phrasings, fingerings, etc. This simplifies your editing. There is not a need to erase from the original, or even worse, try to "write over" the original print. Also, to save you money movements are sold individually. No need to purchase a multi-movement work when your only desire is to perform only one. Thank you for looking.
For oboe and bassoon
Titel nach Uploader: Adagio, Op.1 No.1
Instrumentierung |
Fagott, Oboe |
Partitur für |
Duo |
Art der Partitur |
Partitur für zwei Interpreten, Stimmen |
Tonart |
G-Dur |
Arrangeur |
Nick Lacanski |
Verleger |
theupperstaff |
Schwierigkeitsgrad |
Mittel |
Länge |
4'17 |
This is the first of four movements of this sonata. I have named this series of publications – "Just the Notes", simply because that’s all you get. No dynamics, bowings, phrasings, fingerings, etc. This simplifies your editing. There is not a need to erase from the original, or even worse, try to "write over" the original print. Also, to save you money movements are sold individually. No need to purchase a multi-movement work when your only desire is to perform only one. Thank you for looking.
For flute and bassoon
Titel nach Uploader: Adagio, Op.1 No.1
Instrumentierung |
Flöte, Fagott |
Partitur für |
Duo |
Art der Partitur |
Partitur für zwei Interpreten, Stimmen |
Tonart |
G-Dur |
Arrangeur |
Nick Lacanski |
Verleger |
theupperstaff |
Schwierigkeitsgrad |
Mittel |
Länge |
4'17 |
This is the first of four movements of this sonata. I have named this series of publications – "Just the Notes", simply because that’s all you get. No dynamics, bowings, phrasings, fingerings, etc. This simplifies your editing. There is not a need to erase from the original, or even worse, try to "write over" the original print. Also, to save you money movements are sold individually. No need to purchase a multi-movement work when your only desire is to perform only one. Thank you for looking.
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